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Kaytranada - 99.9%

Name: Kaytranada - 99.9%
Item: Kaytranada - 99.9%
Author: Andrew Ryce

Publicado
May 18, 2016
Escrito por
Andrew Ryce
Label
XL Recordings
XLLP765
Estreno
May 2016
Genres
Hip-Hop · Disco

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In the era of SoundCloud, one simple edit can launch a career. Just ask Kevin Celestin. His unofficial remix of Janet Jackson's "If," which now sits close to six million plays, earned him his very first gigs, starting out in Canada and ending up all over the world. Last year, the Montreal artist toured with Madonna. The popularity of Kaytranada's "If" edit is easy to understand. It took a bubbly and familiar song and gave it a retro makeover, with a killer bassline and a subdued charm that felt assured for a rookie producer. And it wasn't a fluke: though the 23-year-old producer hasn't had any comparable hits, his music has only grown richer and more complex. Celestin makes a warm mix of classic hip-hop, disco and soul, and the smoothness of it all feels like an antidote to the EDM stars he often plays alongside. That style comes to a head on 99.9%, Celestin's long-awaited debut album for XL, where he gears his classicist tendencies more towards head-nodding songs than dance floor fodder. "I barely buy any records that are made past, like, 1989," Celestin said in a recent (and very personal) interview. While this line doesn't tell the whole story, that spirit defines 99.9%, which feels largely removed from current trends. It begins with "Track Uno," five minutes of dusty disco looping, before moving through jazzy backpacker hip-hop ("Bus Ride" and the Onra-esque "One Too Many"), AM gold soul ("Glowed Up," with the croaky refrains of Anderson.Paak) and Madlib-esque sample flipping ("Despite The Weather"). "Drive Me Crazy," a slick collaboration with rapper Vic Mensa, proves that Celestin can sound more contemporary, even as he stays true to his style with a corny guitar solo. Maybe that seems a bit all over the place, but 99.9% is held together by Celestin's sense of calm. His music, no matter the style, is effortless and relaxed—even if it doesn't exactly jump out at you, it has a way of pulling you into its orbit. Celestin's vocal tracks have the same effect. AlunaGeorge and Goldlink sound at home on the slinky "Together," which is both radio-friendly and old-fashioned, like neo-soul as filtered through Disclosure. The Craig David collaboration "Got It Good" touches on the sweeter strains of '90s R&B without resorting to nostalgia, putting David's knack for wordy, overstuffed measures to good work. As attractive as Celestin's chilled-out demeanour is, it also makes the album feel longer than the hour it takes up. The issue isn't helped by generic tracks like "One Too Many" and "You're The One," which feature uninspiring vocalists set to polished beats scrubbed of Celestin's personality. They're serviceable but overtly primed for radio—the rare instances of the producer taking a back seat to his collaborators. Elsewhere, Celestin's gritty loops and diced samples reign supreme, whether he's working with an instrumental group like BADBADNOTGOOD or providing a cleverly sparse backdrop for Toronto's River Tiber. On closer "Bullets," he teams up with Little Dragon's Yukimi Nagano, whose smoky voice carries a personality that complements Celestin's own. For a debut album from such a young artist, 99.9% is remarkably self-assured. It sets up Celestin as someone carving out his niche. He's a young artist with diverse taste and a wide knowledge of records, and the raw talent to work those influences into a unique sound.
Tracklist