- In 1997, the year Roni Size / Reprazent's New Forms was released, dance music was in the charts as much as the clubs. Crossover acts like The Prodigy, The Chemical Brothers and Leftfield took their cues from the rave scene, but were accessible enough for rock-oriented crowds and drive-time audiences. Drum & bass, however, was more mysterious. The likes of Origin Unknown's "Valley Of The Shadows" crept beyond the underground (I recall hearing it alongside tawdry indie demos and Britpop on BBC Radio 1's The Evening Session), but it was only in 1995, when the broadcaster launched a Friday night show, One In The Jungle, that the scene's music was exposed to those, like me, who were too young to be truly plugged into club culture. To a clueless ten-year-old, One In The Jungle sounded like an alien language transmitting to a clandestine following, who presumably understood what this wild, strange music was about.
New Forms seemed to mark a drastic change. It was heavily promoted, and won the 1997 Mercury Prize. Goldie's Timeless, released two years prior, achieved widespread acclaim, and LTJ Bukem's 1996 LP, Logical Progression, was also a hit. But neither broke through like New Forms did. "Share The Fall" was the first I'd heard of the Bristol drum & bass project, and it no doubt served as many listeners' gateway into the world of Reprazent, Roni Size, DJ Krust, DJ Die, Suv, Full Cycle Records, V Recordings and the wider world of drum & bass that lay beyond. With hindsight, it's easy to understand how devout junglists might've sneered at the record's all-conquering success and broad sound palette. But it remains a landmark of atmosphere, mood and ingenuity.
Tracks like "Brown Paper Bag" and "Heroes" had obvious appeal, with ear-catching jazzy keys and double bass licks—a prominent sound across the LP—but the stranger cuts were the ones that offered a window into a different musical paradigm. The sheer space on "New Forms," for instance, was a revelation. Bahamadia's dextrous pivot between cool and deadly MC flow and delicate soul singing felt suspended in thin air over a brittle break and ominous double bass lick. The icy, futuristic atmospherics of the track's first half contrasted sharply with the cosy familiarity of the sunkissed chords that came later.
Overall, though, it's a creepy album. "Mad Cat" opens with a chilling sample from the 1970 film Beyond The Valley Of The Dolls before the arrival of boom-bap drums and a devastating bassline. This moodiness, though, was offset with warmth and beauty. Onallee's "move on, move on / the mainstream" refrain during "Digital" shines through layers of alien texture. Of the LP's many standouts, "Matter Of Fact" leaps furthest from breakbeat conventions with dazzling drum acrobatics, which vaults around globules of bass and hi-tech synth abstraction. "Watching Windows" has a low-slung funk groove to die for. And "Destination" ends the LP on a breezy note, thanks to a stunning sample of Everything But The Girl's "Each & Every One."
New Forms is a masterpiece with a beautiful problem—when you strike upon something so vital, what the hell do you do afterwards? A two-disc edition, released in the same year, included several B-side tracks. But Roni Size / Reprazent's next album, 2000's In The Mode, and a solo outing from Size, Touching Down, courted a less subtle jump-up style. It was a general trend in drum & bass seen in artists like Dillinja, whose deft mid-'90s material gave way to brutish basslines and streamlined beats at the turn of the millennium. Then came 2008's New Forms 2, an ill-advised attempt to rehash the original with, as Size put it at the time, "a new coat of armour."
New Forms's original two discs have been remastered for its latest edition, while the third disc adds genuine value to the release. It's mostly made up of remixes of tracks made when New Forms first came out. The rigid focus after the drop on the Origin Unknown remix of "Heroes" is a consummate club-ready streamlining of the original. Krust's heads-down bass rub on "New Forms" is a clear precursor to the wobblier basslines that were just around the corner. Of all the remixes, though, two truly stand out: Photek's smooth but sinister approach on "Brown Paper Bag," and the twists and turns of Grooverider's "Jeep Style Mix" of "Share The Fall." These tracks offer some context to the stylistic shifts between jungle and drum & bass that were taking place 20 years ago.
The same can't be said for the fourth disc, which would feel extraneous whatever the content. It's a "live hardware" mix, chopping various slices of New Forms-era material and some 2008 revisions, that suffers from the same issues as New Forms 2, where a brasher modern sound and excessive new elements diluted the potency of the original material. There are some awkward transitions between familiar tracks and some questionable inclusions, such as the garish new track "Hold The Front Page." Still, the past 20 years hasn't dimmed the brilliance of the original LP. The additional remixes are welcome and the remastering has done these vintage tracks no harm. When it comes to trying new things creatively with such classic material, though, it might be best to let New Forms lie once and for all.
TracklistDisc 1: New Forms Remastered
01. Railing
02. Brown Paper Bag
03. New Forms
04. Let's Get It On
05. Digital
06. Matter Of Fact
07. Mad Cat
08. Heroes
09. Share The Fall (Full Vocal Mix)
10. Watching Windows
11. Beatbox
12. Morse Code
13. Destination
Disc 2: New Forms Remastered
01. Intro
02. Hi-Potent
03. Trust Me
04. Change My Life
05. Share The Fall
06. Down
07. Jazz
08. Hot Stuff
09. Ballet Dance
10. Electricks ("Heroes" B-Side)
11. Western ("Brown Paper Bag" B-Side)
12. Sounds Fresh (From Reasons For Sharing EP)
Disc 3: Re Forms
01. Brown Paper Bag (Roni Size Full Vocal Remix)
02. Heroes (Origin Unknown Remix)
03. Watching Windows (DJ Die Gnarly Vocal Mix)
04. New Forms (Krust's Wide Screen Version)
05. Share The Fall (Grooverider's Jeep Style Remix)
06. Brown Paper Bag (Photek Remix)
07. Down (Bel Air Remix)
08. Heroes (Kruder's Long Loose Bossa)
09. Watching Windows (Roni Size Meets Nuyorican Soul)
10. Brown Paper Bags (Roni Size Sound Is The Music Mix)
Disc 4: Live Forms
01. Morse Code (2017 Remix)
02. Railing (2008 Remix)
03. Brown Paper Bag (2017 Remix)
04. New Forms (2008 Remix)
05. Let's Get It On (2017 Remix)
06. Trust Me (2017 Remix + 2017 VIP Remix)
07. Electricks (2017 Remix)
08. Heroes (Kruder's Long Loose Bossa + 1997 Album Version + 2008 Remix)
09. Down (2017 Re-Edit)
10. Western (2017 Remix)
11. Watching Windows (1997 Radio Edit + 1997 Instrumental + DJ Die Gnarly Instrumental Mix)
12. Sounds Fresh (2017 Re-Edit)
13. Digital (2008 Remix)
14. Hold The Front Page
15. Hi-Potent (2017 Re-Edit)
16. Share The Fall (2017 Remix + Grooverider's Jeep Style Mix + Roni Size Re-Edit)
17. Destination (2017 Re-Edit)
18. Share The Fall (Full Vocal Mix - 2017 Remix)